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“Conversation Galante” is an epigram consisting of three sestets, each filled with personification and the use of many colorful metaphors. Though the woman in conversation is never identified, it does not change the attitude the narrator takes toward her. The author uses sarcasm to respond to the disdainful female in the poem in an effort to prove her overly serious attitude to the audience.
The poem starts with the narrator making outrageous comments about the moon, while tricking the woman he is speaking with into believing that he serious. He then goes on to defend his comments by explaining that someone gives an idea of what the moon is and how it causes the night and moonlight, and that that idea is accepted like music to our ears. Quick acceptance of this idea, however, is not because one agrees with it so much, but because it fills internal emptiness. The woman asks if he is referring to her as empty. Sarcastically, he denies it, saying that he is really talking about himself. In the final stanza, he proves that he was in fact referring to her and accuses her of being one to take things seriously.
The first stanza sets the tone for the rest of poem because it sparks the topic of conversation. It is also where the reader finds out that the two in conversation are at odds with each other. The narrator begins with a statement that claims the moon to be their sentimental friend and then goes on to say it could be a balloon or even a lantern to guide lost travelers. He admits to the audience that he knows these comments are outlandish, but he purposely fails to do so with the woman he is speaking with. The woman replies, “How you digress!” Referring to the literal meaning, this exchange tells the audience that she is upset over his change of subject. Also, she seems unnerved at the preposterous comments that she just heard. It can therefore be deduced that she is taking him seriously.
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In the second stanza, the narrator goes on to defend his comments by attacking people who quickly accept ideas and modern thought. He argues that someone arbitrarily frames an idea of what the moon really is, which explains where the night and moonshine come from. He then goes on to say that people quickly take hold of these concepts, and believe in them, merely to fulfill personal emptiness. The woman immediately becomes defensive and asks if she is the empty, thoughtless person of whom he speaks. Sarcastically, he assures her that he is talking about himself; he is the one who is silly. In this stanza the narrator makes several references to music and the moon. It is possible that throughout the conversation, music is playing in the background, specifically Beethoven’s “Moonlight Sonata.” Whether or not this is true, it provides sound reasoning for the explicit correlation between music and the moon.
The last stanza clarifies many details about the poem. The narrator paints a picture of who the woman is, explains the first two stanzas, and lets the reader know that the he is the author. Lines 1 and 14 are both sarcastic insults. The narrator says that the woman is the eternal humorist, implying that she is a person who often can’t make up her mind. He then labels her as the eternal enemy of the absolute, meaning that no matter what the truth is, she still questions it. Obviously the narrator is being sarcastic, evidenced by the fact that in the first stanza, the woman was upset by the narrator’s comments that were profoundly off topic. He paints his final picture of her in line 16 by describing her attitude as having a pompous air to it. After the reader comprehends her personality, it is much easier to understand line 17, which means that because of her lack of interest in their (the poets’) work, there is no possible way they can convince her to understand their point of view. The third stanza is also where the author establishes himself as the narrator. He repeatedly says “our” throughout the poem, but when he says “our mad poetics” he is blatantly grouping himself with other poets. This also helps explain why he attacks her with sarcasm. After he made the comments in the first stanza, the woman openly announced how absurd they were, and the narrator, a poet, could have taken offense to it. He finalizes the poem by asking her a rhetorical question, “Are we then so serious?” as if to say, “How on earth could you possibly have taken me seriously?”
This poem is filled with many literary devices. In the opening stanza, he personifies the moon as their sentimental friend. Lines and 4 are both metaphors, in which he compares the moon to a balloon and an old battered lantern. The use of imagery in the second stanza paints a picture in the reader’s mind of a gorgeous night with the bright moon shining down.
The reader of this poem, whoever it may be, can identify many moods that the poem contains, ranging from a jovial tone set forth in line 1, to an insulting demeanor in line 16. However, the use of sarcasm is prevalent, and the narrator uses this sarcasm to respond to the woman in an effort to prove her serious attitude to the reader.
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