Friday, March 29, 2013

Inclusion in the classroom

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Dracula



In Bram Stoker’s, “ Dracula ” in chapter fourteen, Dr. Van Helsing realizes that there are still idle Victorian women in the world. He realizes this from talking to Mina and reading her journal. In this chapter, Dr. Van Helsing meets with Mina Harker to discuss Lucy’s sleepwalking experience. Dr. Van Helsing was very impressed with the way Mina was prepared for their meeting. He becomes very thankful for this and in return promises to help her with her husband Johnathan. Dr. Van Helsing states Mina is a good women and is very grateful of her because she states the truth about her life in her journal. Therefore this essay will analyze Dr. Van Helsing feelings towards how it is hard to find a good women and how Mina gives him hope.

In Mina’s journal, Dr. Van Helsing finds all he needs to know about Miss. Lucy’s sleepwalking adventure to the cliff. Mina wrote down at the time all about it and it came to be such great help to him. She allows him to read her journal because she knew he knew about Lucy’s experience but wanted her side for better understanding. So Mina typed her journal up for this reason and also to save much questioning. Dr. Van Helsing was applauded by her act and started to realize how good of a women she was. Dr. Van Helsing read her journal and was dazzled by it. He became so grateful of her and considered himself lucky to be dealing with such a clever women.

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“ My life is a barren and lonely one, and so full of work that I have not had much

time for friendships….Believe me, then, that I come here full of respect for you,

and you have given me hope, hope not what I am seeking of but that there are good women still left to make life happy, good women, whose lives and whose

truths may make good lessons for the children that are to be.”

This evidence has indicated Dr. Van Helsings feelings towards Mina. From her journal, he could tell she is a good-hearted woman. This is what allows him to have hope. However being a good woman in the Victorian age was quite different. A woman had to give up most of her life as Mina did. They had to erase their own personality and give their husband their identity. So they really did not have any say in their life or their own opinion. They had to stay at home and act as if they were a maid. Women were to serve their husband and bare his children. These were only some circumstance that had to be filled. Dr. Van Helsing saw Mina as a good woman because she fulfilled them and because of her helpfulness with him and Lucy. Mina was the idle Victorian woman unlike Lucy, she was too modern. Mina is the kind of women Dr. Van Helsing thought was too hard to find and no longer exist.

In conclusion because of Mina’s goodness, she has helped Dr. Van Helsing with Lucy. Also in return, he has promised her to help her with her husband Johnathan. Which will hopefully lead her and her husband to happiness. She has also given hope to Dr. Van Helsing that there are still good women. From dealing with Lucy his hope was low but from his meeting with Mina his hope had increased a great deal. Dr. Van Helsing has worked with many, many people throughout his life. Just by reading Mina’s journal and seeing her concern for her husband he could tell she was of good nature. Mina has accepted the ways to be a good woman and has realized by doing so it will only help her live a better life.



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Thursday, March 21, 2013

Gimpel the Foll

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Even though romanticism would ask us to find anyway we can to put Gimpel on a pedestal as an example of faith and a good heart, we can’t deny that he was a coward to himself and those around him. The little pranks that the village’s people would use started in good fun, but quickly turned into a mob mentality to ruin Gimpel’s prospects of enjoying a happy life.

Gimpel tries to justify himself that he knew in most every event that others were deceiving him, but allowed it for fear that once they might be right, and then he would be the fool. When he met his future wife, he admitted that marry her would probably not be a wise situation. Yet as the community gathered money for the dowry that Elka requested, a traditional gift usually given to the groom from the bride’s parents, Gimpel justifies himself that a whole village would be crazy enough to put him in a bad marriage. The truth is that he had played the role of the village jester for such a long time that people had no remorse for him.

An essayist discussed this, saying “Singers use of Gimpel the Fool demonstrated two lower levels of the human scale. The first is the cowards ability to justify to himself the reasoning behind his behavior. The second is the crowds ability to pick out the weakling and exploit him for their own amusement. Gimpel proved he was a fool by all that he did. He allowed himself to be cornered, prodded, and teased yet he never stood up for himself or what he knew to be the truth. He was forced into a life created for the merriment of the villagers and refused to make his own life.”

The only character that was true to Gimpel was the local Rabbi. As an oracle for the village the Rabbi took the wisdom of the ages and tried to apply them to the people’s situations, including Gimpel’s for the most part, for their betterment. Although Gimpel rejects the advice to leave his adulterous wife, the Rabbi keeps himself clean taking the matter to the area’s rabbinical counsel and letting Gimpel choose which road he will take.

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Even with the good advice, Gimpel’s logic was skewed, and the only redeemable theme we take from Gimpel’s actions was the proof of the paradigm “ignorance is bliss.” He allowed his wife to fool him with six children, none of which where his own. Twice he caught her in bed with another man, each time she denied her actions. He allowed the devil to convince him until swayed by another spiritual manifestation of his wife that was just as unreliable. He never stood by any of his own decisions or thoughts. As each person came into his life he acted the true coward and let people infringe on his every action.

Singer just takes the chronology of Gimpel’s life to be the form of the short story. No one else’s view is really taken to help us understand how others really felt towards Gimpel. The village made him a rich man, but was that more from his industry that his likeability? Did Gimpel feel as though he had friend in any one?

It is unusual that only after he had withstood the promptings of the devil and then the advice of his deceased wife did he leave the village. He felt that finally God had given him some true advice, and he realized that he and only he would have to choose whether to take revenge, or continue with his benign ways of forgiveness. He makes his decision to turn the other cheek, and leaves the city for good. The only choice he ever made for himself.



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Tuesday, March 19, 2013

Impact of Television

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Dana Kelly

04-7-0

ENG1

The Impact of Television

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In Don DeLillo’s novel, White Noise, television has a huge impact in the character’s lives and it shapes many of their observations of the world. They spend a majority of their time in front of the television and gain much of their knowledge from it during the novel. The television screen controls each character due to its importance in each individual’s life.

The characters in White Noise are controlled by what comes on the television and believe the amount of television coverage determines the importance of an event. For example, when a man during the toxic cloud event walks around with a miniature television and shouts, “There’s nothing on the network. Not a word, not a picture. […] No film footage, no live report” (161) he feels let down since their terrible incident was not shown on television. Also, Jack’s ex-wife, Tweedy, is shocked to find the passengers of a plane that almost crashed “went through all that for nothing” () when Jack explained, “there is no media in Iron City” (). To the characters in the novel, only media coverage brings an event into existence.

Secondly, the television shapes the character’s behavior in White Noise.

During the airborne toxic event, The Gladney family attempts to keep up with the currently reported symptoms caused by the event. The symptoms that Steffie and Denise suffer from during the toxic spill are forgotten immediately after they are told by the television they should be experiencing the effects of d�jà vu.

The submissive obeying of the citizens of Blacksmith illustrates the controlling power of television. The characters try to think as the television has told them they should. They feel betrayed when certain aspects of their lives do not fit into their beliefs based on the media. Jack complains to his wife, Babette, “These things happen to poor people who live in exposed areas. […] I’m a college professor. Did you ever see a college professor rowing a boat down his own street in one of those TV floods? […] These things don’t happen in places like Blacksmith” (114). Because Jack has only seen disasters on television, he cannot imagine the airborne toxic event happening to him in reality. The characters’ expectations are defined by the influence of the television in White Noise.

Television also impacts the characters’ powers of imagination, and makes them imitate what they view. An example of this is when a random woman on the street only appears as a “real” person to Jack after he “[…] pictured her in a soup commercial taking off her oilskin hat as she entered the cheerful kitchen where her husband stood over a pot of smoky lobster bisque […]” ().

Another important function of the television in the novel is to manipulate and control the character’s minds. The loss of reality is another negative effect television is responsible for. An example of this is when the Gladney family comes across Babette’s face on TV when the local station is televising her posture class. At the sight of her, Jack and the children are immediately speechless and confused. They feel that the short-lived image has been somehow transferred to Babette. At first Jack wonders whether he is watching “her spirit, her secret self, some two dimensional facsimile released by the power of technology” (104). To her family, Begetter appears “distanced, sealed off, [and] timeless,” (104) taking on the characteristics of the television. Jack states, “She was a shining light on us, she was coming into being, endlessly being formed and reformed as the muscles in her face worked at smiling and speaking, as the electronic dots swarmed” (104). The non-performance of her image on television also emphasizes Babette’s own mortality. It seems as if the real Babette is not as important as her image of “electrons and protons” (104) on the television.

Television is also in control of the Gladney family bonding time. On Friday nights, Babette has made it a rule for the whole family to watch TV together while eating take-out Chinese food. She believes that, “The effect would be to de-glamorize the medium in their eyes, make it a wholesome domestic sport. Its narcotic undertow and eerie diseased brain sucking power would be greatly reduced” (16).

In addition, Communication takes place through television rather than through human interaction. The only time the family comes together is when watching disasters on television (example) Jack’s colleague, Alfonse, explains the reasons for this bonding activity and states, “We’re suffering from brain fade. We need an occasional catastrophe to break up the incessant bombardment of information” (66). Murray, Jack’s co-worker, points out that “In the psychic data sense a forest fire on TV is on a lower plane than a ten-second spot for Automatic Dishwasher All” (67). He suggests that commercials have a greater impact on the viewers than a disaster.

Murray, a professor of popular culture, offers an altered outlook on television, unlike his students who refer to it as another form of junk mail. His belief is that television is only a problem of “you’ve forgotten how to look and listen” (50).

Television, he claims, provides “incredible amounts of data” (50) in our lives. Murray asserts that television has a positive effect on people only if the viewer feels as if he is experiencing reality unique to his own thoughts and feelings rather that what the TV tells him to believe.

In conclusion, our society is desensitized to tragedies, such as murders, and not fully impacted by them due to everyday media coverage. For many people, their real life and the one they view through television seem to blend together at times. Television represents a fictional life that attempts for become our ideal life. The white noise, or constant background, of the television constantly influences how people think, believe, and perceive the world around them.



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Friday, March 15, 2013

In his poems Browning often explores the dark side of human nature. Analyse at least two poems, paying attention to both form and content, in which Browning explores mans capacity for evil.

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In Browning’s poems ‘My Last Duchess’ and ‘Porphyrias Lover’ it is evident that the same theme runs through both of these poems; men and their power over women. In Victorian society, the time when these poems were written the woman’s role was to stay at home and become a faithful and obedient wife and a caring mother. The most important figure in a relationship was the man. Therefore women’s role and self worth was based of that of her husbands social status in the Victorian community. This kind of unequal relationship where the man plays the dominant role becomes clear in Browning’s poems. He explores issues involving obsession, power, control and to some extent jealousy. Browning starts to explore men’s actions towards women in these two poems and what the dark side of their natures can achieve.

The introduction of a fierce, stormy night sets the scene for the poem ‘Porphyrias Lover’. The weather is being personified

“The sullen wind was soon awake,

It tore the elm-tops down for spite”

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By personifying the weather Browning is linking the destructive force of nature to the destructive force of mankind. This links to the turmoil of the main characters heart, which is another example of the Pathetic Fallacy, used in the beginning of this poem. I think Pathetic Fallacy is used as an introduction to the tragedy that is yet to come. A few details provide the setting a cottage with a fireplace, a stormy night, but the speaker, since he is thinking, does not give the background information, so that the reader must piece together various details to grasp the situation as a whole.

When Porphyria enters she lights the fire and makes the cottage warm. Showing Victorian attitude to women, the servitude of women to men, showing that there sole role is to keep their men and families warm and content. Porphyria blends into nature as she ‘glided’ in and ‘shut the cold out’, we know that she is a powerful woman, and is too proud to leave her world of “gay feasts” to stay with him forever. When the narrator describes Porphyria she is very much like a goddess by the way she just “glided” in to the room. Further into the poem we know that she has both emotionally and physical power over the speaker.

“She put her waist about my arm”

This control over the narrator is soon reversed as the story progresses and the narrator starts becoming cold towards her controlling influences.

As they sat together by the fire, the speaker was overwhelmed with pride and pleasure that she loved him. He realises that he wanted to show her this so to do it he killed her. He wanted the moment never to end. He knew that she would not give up her independent life to serve him. His actions at this point onwards turns from passive too active.

Porphyria is another name for madness or insanity. This is an important factor in the play as the name porphyria symbolises the speaker’s madness. When the speaker murders Porphyria I feel that there is something quite dark and insane about it. He assures himself that she wanted to die at that moment, and that he did not really hurt her.

“Her darling one wish would be heard.”

What I thought brought out the dark side of the speaker was the calm language and tone that was used throughout and during the murder. I think that this calm atmosphere that was potrayed in the poem is a reflection on how the narrator is feeling and how he thinks that he is not committing a murder but simply just showing how much he loves her. This is the sharp contrast of Love and Spite. By reading the poem through I found that the motif for the murder was very strange. He wanted to preserve their love ‘forever’ as he finally realised that Porphyria worshiped him

“At last Porphyria worshiped me”

Browning has created this narrator’s mind and has bought out all of his evil and darkest thoughts. He wanted complete control over her, just like she had complete control over him. At this point the themes of power, control and obsession start to take place. The speaker is too proud of their love even after killing her; he still describes her like she is alive

“Blushed bright beneath my burning kiss”

To him she is like a doll or an object to posses, which to him is still beautiful. There is a sharp contrast here between fantasy and reality.

We are aware that this was not a planned murder, but why and how he killed her reflects the dominance of the man and the power he has over the woman. Now she is dead she can be completely loyal and obedient to him. How the speaker kills Porphyria is the most symbolic part in the poem.

“And all her hair three times around her little neck I wound”

The fact that he uses one of the things that makes her beautiful to kill her is a strong contrast between life (beauty) and death. But also he is killing her, which again reminds us of the influence of the power of the speaker. When the poem ends we realise that the lover is still sitting with the head of the dead Porphyria propped on his shoulder, waiting to see what God will do to him. However God remains silent, which the narrator seems to say that this power over women is either tolerated or condoned by a superior being.

Like “Porphyrias Lover”, “My Last Duchess” explores the issues of jealousy and obsession. The title suggests he has loved since but more importantly has loved before. The word ‘My’ in the title sounds like he is describing her as a possession, so the theme of obsession starts to be revealed right at the beginning of the poem.

The poem begins with this Duke discussing his “last Duchess painted on the wall”. Throughout the poem the Duke proves to be the type of man that has to be in control. His need for control is displayed when he tells his guest that no one may draw “ the curtain but I” The Duke paints his own image of her through this dialogue. Everything the reader hears is filtered through the mind and voice of the Duke. The fact that the painting has a curtain in front of it suggests that he likes to shut her away whenever he pleases. To me this seems that the curtain symbolises the kind of obsessive power and controls that he has over her now, even when she is not physically with him. The Duke’s abrasive word choice intensifies the dominating effect in the poem. Throughout the poem the Duke proves to be the type of man that has to be in control. His need for control is displayed when he tells his guest that no one may draw “the curtain . . . but I”

“The curtain I have drawn for you but I”

When he recalls the time when the duchess was alive, he speaks of her as a very loving and polite, kind person, but always concludes by showing that he demanded complete obedience from his past wife and expects the same for his future wife.

The Duke sees himself as a God like figure that will not submit to anyone who he feels is subordinate to him. The Duke draws his guest’s attention to a statue of Neptune taming a seahorse in order to show that he will demand complete obedience from his future wife. The image of the powerful god, taking control of the seahorse shows the Duke’s desired relationship between him and any woman. By these statements he will prove that he will put fear into his wife through any tactics and his overbearing need for control and power through imagery. I think the duke feels that he needs to control his wives as he doesn’t want anyone to betray him again, and he will try and prevent this from happening in any way he can. This all links back to possession and power that men feel they have to have over their women.

The way the Duke views his next wife is very interesting. He describes her not as a women but mearly as his “object”, this shows that the Duke still craves for power, and the little respect he has for women making them sound like possessions.

In “Porphyrias Lover” there is evident rhyming that occurs in every other line. This style that is used sets a rhythm for the poem, I think the author used this style so the dramatic monologue that the narrator is saying will seem more symbolic and dramatic.

In “My Last Duchess”, unlike Porphyrias lover there is no rhyming at all. I think that Browning did this to exaggerate the realism of his ‘Last Duchess’, and his harsh tone used when he gave ’commands’ is a sharp contrast to the description of her previously in the poem.

But in contrast to Porphyrias lover the man in the poem was very much in control of his actions to a dangerous and unsettling degree.

I think Browning has used Monologues in these two poems to show the reader the minds of these two men that he has invented. Not only this but it gives a more detailed, calm and contemplated outlook on the situation at hand.

In conclusion I feel that Browning does explore the darker side of mans evil and evident class differences and social issues arise from these works. Although horrified as most readers might be by both of their acts, I think that our society would be far more tolerant of the dejected and hurt lover in Porhyria’s lover, than the snobbish cruel and misogynistic Duke in My Last Duchess.







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Sunday, March 3, 2013

gender roles

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Gender Roles

Who ever said men and women are equal must be blind. Women have always taken a back seat to men in American society. There has always seemed to be one set of standards that apply to men, and another set of standards that apply to women. This is evident in the home, workplace, and all throughout society. I would like to briefly discuss some of the differences that we learn about our gender, which will enable us to better understand men, and women.

Our supposed roles as men and women start at the hospital when we are born. Boys get blue blankets while girls get pink blankets. While children are growing up, gender roles are highly defined by parents and teachers as well as societal influences. Boys were taught to do “boy” things and girls were taught to do “girly” things. The toys that children play with growing up are targeted at either males or females. The activities that are encouraged by adults demonstrate the influence of gender roles on today’s youth. Little boy toys include trucks, blocks, guns, soldiers, and action figures. While toys made for little girls include dolls, kitchen utensils, dress-up, and doll houses.

The expectations that parents hold for each of the children vary among their gender role. For instance, when boys get hurt their parents say things like “shake it off,” or “that didn’t hurt much,” but when little girls got hurt, they would give her attention and pull her aside and take care of her. Parents treat each child in completely different regard. These patterns and thought processes continue on into our adulthood and begin to play out in our relationships with others, which include dating and marriage. With these gender biases and stereotypes in mind, it is easy to see how gender roles are created.

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Parents always encourage boys to skateboard, play football, rides bikes, or take karate lessons. On the other hand, parents encourage girls to jump rope, hull-a-hoop, play dress-up, and play with dolls. Moms are always teaching their girls how to cook, and dads are taking the boys out to a basketball, football, or hockey games.

Gender roles will continue from birth. No matter where you go, gender roles are always being pointed out among boys and girls. As long as parents are drawing a line between their children’s toys, and activities gender roles will continue to be outlined.

I first began to have belief’s about gender roles were when I was about 1 years old. When I was growing up my sister always had a baby doll and I always had G.I. Joe’s. This is the way that our parents had shown us how to differentiate between boy and girl toy’s. Even to this day I will continue this traditional way of thinking. While raising my children I will deviate my beliefs on what is appropriate for their gender.



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